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AEE 2020: Seth Gamble, Multilayered

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by Rich Moreland, February 2020

Photos by Kevin Sayers.

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Seth Gamble has been around porn for a few years. He began in 2006 and reflects the veteran status men in the business often reach, much different from many female performers whose on-screen careers are often no more than a few months.

Maturity has moved him forward. For the 2020 AVN Awards, Seth went home with Best Leading Actor honors for Adult Time’s Perspective. Incidentally, his co-star in the production, Angela White, also copped the Best Leading Actress trophy for her role in the film.

Parodies

We start our conversation with his early days.

“In the earlier part of my career, no one [had] an idea of what I could do,” Seth begins. Then, a break came his way with an Exquisite Media parody. The film was a take-off of Saturday Night Fever and Seth was convinced he should be cast in the lead.

“I literally went into the office, didn’t have an audition. I don’t know what came over me,” he says. His persistence paid off. “Give me a piece of the script [and] I’ll show you,” he remembers announcing. “Twenty-four hours later, I’m booked for the role [and] I’m doing dancing lessons”

The film came out in 2011. From there, Seth’s talent and audacity led him to the Stars Wars parodies directed by Axel Braun. Seth recalls doing a “nine-page dialogue stretch on one take” that cemented his talent for acting.

“The parodies got me in the door and to be honest with you, when it came to actually doing more intellectual [and] layered roles, that really came from Pure Taboo,” he concludes.

By the way, Seth Gamble is not about to step over his friends. He mentions those who have helped him along: Dale Dabone, Bree Mills, and Craven Moorehead.

At this point in his career, Seth knew his journey was set and more was needed. “I actually went to acting school for two years,” he says.

Seth’s career has come together, highlighted by his 2019 performance in Perspective. “The prep work I and Angela did on that [film] was insane.” Needless to say, the results were cinematic gold.

Honesty

My next question concerns transitioning from an acting moment into a sex moment. How does Seth do this seamlessly on set?

The native Floridian answers with an example. In the closet scene in Perspective, he has sex “in character” with Angela.

In other words, “The whole time I was having sex with her,” he says.  “I didn’t do normal things that Seth Gamble would do in a sex scene, if I was just doing a scene as me. I did what I thought Daniel [his character] would do in that moment.”

Making this kind of transition is an actor’s responsibility, Seth believes. “I don’t think that is on the director, I think that’s on the talent. But I don’t know how many talent have the thought process to want to do it or think about how to do it,” he observes.

Seth admits he often “overthinks” a role. “I strategize and analyze exactly [how] this would happen. Sometimes it’s not even a thought it’s more of a feeling” when it comes to making the transition, he says.

I interject that Jacky St James once told me that as a director she thinks of sex as being part of the dialogue.

Seth agrees and points out, “Anytime there’s dialogue in any scene, I think it should be involved in the sex as well. If there is dialogue involved, then you should be acting physically with the sex.”

He emphasizes that however the scenes are depicted on-screen, the most important ingredient is honesty.

Adult film is “a fantasy regardless if there’s sex involved or not. What enthralls them [the fans] in any film is if the character feels honest. And if there’s no honesty to the character, then they don’t want to watch.”

His remark offers a springboard to a further analysis.

“A lot of porn is disingenuous because it’s like ‘do this, do that,’” Seth says. But he strives to be unique. “I didn’t want to come into this industry being a carbon copy of anything. I decided to be honest about all of my performances.”

That’s what makes it real, he believes.

Multilayered

Next, we turn to his directing. I ask about his style.

“I want to use what I have and give it to other people to bring out better production,” Seth says and highlights three directors—Axel Braun, Bree Mills, and Kayden Kross—whose style he thinks works best. He adds Jacky St James to the mix, but mentions that she does not have the financial backing of the others. “She deserves to be able to have those budgets for those films because she’s that talented [and] I truly enjoy working for whatever she does because even with what she’s got, she makes it good and amazing.”

His directing “forte” is “story based,” Seth comments, and as a director he wants to use his on-screen experience “to give [his actors] insight into what they’re doing character wise.”

Seth perceives porn acting to be “multilayered” and there is an industry shift in that direction.

“AVN Performer of the Year nomination is such a big deal because for so long it hasn’t been looked at as [demonstrating] versatility” he declares. For too long it’s been interpreted as who can deliver the best sex scene.

Because of his acting, Seth perceives that he is “in that conversation [that] is showing the shift.”

In that vein, he admires Axel Braun for being a star maker. “That’s what I want to do as a director,” Seth says.

Mystique

I mention the idea of crossing over from porn into Hollywood. Seth responds that young performers these days have evolving ideas on that.

He looks back ten-twelve years ago and says, “I was not a famous porn star. No porn star was famous, they were infamous. You weren’t going to see them on social network. You might get Jenna Jameson on Howard Stern. You might get her in an R-rated B movie.

“Now we’re allowed on social platforms. We have fame now. We’re being put on ShowTime and Cinemax.”

He does point out that “being in adult film comes with mystique.” It’s what “makes adult film actors and actresses so alluring. I agree that adult film actors and actresses doing R-rated films would be cool.’

But there is a limit, or rather a complication.

“If you put me on the Disney Channel, it isn’t right, because kids aren’t dumb. There’s something to be said about let’s do mainstream but how do you make Seth Gamble an international star that children can watch?

“You take an Angela White or a Kristen Scott or a Casey Calvert and put them in a Quentin Tarantino film. I think that’s a possibility.’

Then Seth brings up a point I had not considered.

“There was a time where you went on a mainstream audition and [were] asked you if you did pornographic films. I’ve heard now they don’t ask. So, I think we’re pushing that boundary.”

The thirty-two-year-old veteran sums it up nicely.

“I think that porn is more mainstream than it ever has been. A lot of the newer talent don’t understand that or see it that way because they weren’t here. Yes, we want our rights we want all these things, but there’s also a flip side to it.

“Something about [porn] is alluring to you, but then you don’t look at what you’re putting out there” and the consequences it might have.

That is the issue, Seth Gamble believes.

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A hint of mainstream in the trade show


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